The Representation of Youth Tribes and Subcultures in the Cinema of David Hughes

 The Portrayal of Youth Tribes and Subcultures in the Cinema of John Hughes Essay


The Representation of Junior Tribes and Subcultures inside the Cinema of John Barnes.

Through this research composition I anticipate finding that the usage of youth people and subcultures can plainly be discovered in mid-80s comedy-dramas; particularly in all those written, developed and described by Steve Hughes. The principal texts I am analysing are The Breakfast Club, Ferris Bueller's Day Away and Strange Science. I possess selected these types of texts because they are few of many that symbolize young people within an oppositional procedure compared to the prominent ideologies of society in those days. I will be using Paul Hodkinson's Youth Cultures: Scenes, Subcultures and People and Stuart Hall's Manifestation: Cultural Representations and Symbols of Practices since secondary sources to inform this kind of essay. I will also be taking a look at how young adults have been symbolized in other media texts such as Grease as well as the American Pie sequel.

The term " representation” can be explained as to how a language of media as well as its conventions are accustomed to represent specific people and objects to the text's potential customers. Stuart Corridor states in the book Representation: Cultural Representations and Symbols of Practices that his meaning of representation can be:

" To set it briefly, representation is definitely the production of meaning through language”. Hall, (p. 16).

Since the film industry blossomed it has been centered by many ideologies as to what is ‘acceptable' and what can be perceived as taboo; these theories also recommend how people should be represented. For example , theorist Vladimir Propp proposed that we now have eight key characters to a film, saying that the female is the passive " damsel-in-distress”. In Propp's book Morphology of the Folktale it is stated the fact that children who also are interested in the fairy-tale genre, they apply their personas with the character they experience most connected with:

" Presumably, the varieties of choices manufactured by a child might be related to his personality. For instance , does a son select a girl donor determine to aid him against a male villain? Does a young daughter select a man donor determine to assist her against her wicked stepmother? ” Propp, (p. 10).

However because of the numerous facts, character ideologies have been designed and have confirmed that the woman can be subverted into the leading part of a story and, most of the time, the villain; in particular, the 'evil stepmother'.

The genre of comedy-dramas came of age in the late 70s with relationships and young dramas; though the genre was suddenly exemplified in the 1980s by overseer John Hughes along with the famous ‘brat pack' of the time. In comedy-dramas the narrative normally contains tropes just like ‘the guy gets the girl' with the support and direction from his trusted partner who has to climb above the difficult hurdles of existence and culture. An well-known example of this trope show up in the overdue 70s classic musical Fat; where the boys in a company are wearing leather jackets, they smoke, hold weapons and drive quickly cars. As it quotes in Paul Hodkinson's Youth Cultures: Scenes, Subcultures and Tribes this was extremely common pertaining to the move from adolescent years to adulthood:

" Many obviously most likely there has been the introduction of a series of legal classifications associated with different phases of junior, notably age at which the younger generation can vote, have sex, smoke cigarettes, drink alcohol and drive motorcars”. (p. 4).

In comparison to the ‘girl gang' in the film, where Olivia Newton-John's character Exotic is wearing pastels throughout the film, which implies her incolume lifestyle. This is where John Hughes appends a proclaimed declaration that all young adults are in some way the same and they are based in stereotypes which make all of them similar, which is why I have chosen to analyse the films The Breakfast Club, Ferris Bueller's Day Away and Weird Science because the main characters are all teenagers and the three set of videos show the...

Bibliography: Hall, T. Representation: Ethnical Representations and Signifying Techniques. 1st Release. Sage Guides Ltd., 1997.

Silverblatt, A. Genre Research in Mass Media: A Guide. M. Elizabeth. Sharpe, 2007.

MacRae, C. N. Stereotypes and Stereotyping. 1st Model. The Guilford Press, 1996.

Propp, Versus. Morphology of the Folktale. subsequent Edition. University or college of Tx Press, 1968.

The Breakfast time Club, 1985, John Barnes, Universal Studios

Ferris Bueller's Day Away, 1986, David Hughes, Universal Studios

Strange Science, 85, John Barnes, Universal Broadcasters

Grease, 78, Randal Kleiser, Universal Broadcasters

American Curry, 1999, Paul Weitz, Widespread Studios

Home Alone, 1990, Chris Columbus, 20th Century Fox

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